Grant, Roger Mathew. 2013. “Ad Infinitum: Numbers and Series in Early Modern Music Theory.” Music Theory Spectrum 35 (1): 62–76. https://doi.org/10.1525/mts.2013.35.1.62.
Herlinger, Jan W. 1981. “A Fifteenth-Century Italian Compilation of Music Theory.” Acta Musicologica 53 (1): 90. https://doi.org/10.2307/932571.
Huffman, Carl A., ed. 2014. A History of Pythagoreanism. Cambridge University Press.
Gilles, Andre, and Gilbert Reaney. 1958. “A New Source for the Art Nova of Philippe de Vitry.” Musica Disciplina, no. 12: 59–66.
Fuller, Sarah. 1985. “A Phantom Treatise of the Fourteenth Century? The Ars Nova.” The Journal of Musicology 4 (1): 23–50. https://doi.org/10.2307/763721.
Snyder, John L. 1990. “A Road Not Taken: Theinred of Dover’s Theory of Species.” Journal of the Royal Musical Association 115 (2): 145–81. https://doi.org/10.1093/jrma/115.2.145.
Decartes. 1987. Abrégé de musique. Edited by Frédéric de Buzon and Frédéric de Buzon. Presses Universitaires de France.
Macrobius, Ambrosius Aurelius Theodosius. 1963. Ambrosii Theodosii Macrobii Commentarii in Somnium Scipionis. Edited by James Willis. Bibliotheca Teubneriana. Teubner.
Cassiodorus. 1946. An Introduction to Divine and Human Readings by Cassiodorus Senator. Edited by Leslie Webber Jones. Columbia University Press.
Young, Anne (Gunn). 1803. An Introduction to Music…Illustrated by Musical Games and Apparatus and Fully and Familiarly Explained. Muir, Wood & Co.
Schuijer, Michiel. 2008. Analyzing Atonal Music: Pitch-Class Set Theory and Its Contexts. Eastman Studies in Music. University of Rochester Press.
Mathiesen, Thomas J. 1988. Ancient Greek Music Theory: A Catalogue Raisonné of Manuscripts. International Inventory of Musical Sources. B = Répertoire International Des Sources Musicales. B, XI. G. Henle Verlag.
Hagel, Stefan. 2009. Ancient Greek Music: A New Technical History. 1st ed. Cambridge University Press. https://doi.org/10.1017/CBO9780511691591.
Boethius. 1989. Ancius Manlius Severinus Boethius. Fundamentals of Music. Edited by Calvin Bower. Yale University Press.
Haines, John. 2006. “Anonymous IV as an Informant on the Craft of Music Writing.” Journal of Musicology 23 (3): 375–425. https://doi.org/10.1525/jm.2006.23.3.375.
Mathiesen, Thomas J. 1999. Apollo’s Lyre: Greek Music and Music Theory in Antiquity and the Middle Ages. Publications of the Center for the History of Music Theory and Literature, v. 2. University of Nebraska Press.
Neubauer, Elsbeth Ida, and Eckhard Neubauer. 2012. Arab Music in Western Research: A Bibliography of Books and Articles Written in Western Languages on the Music of Arab Countries. Part I: Musical Life in Past and Present. General Titles. Local Developments. Vol. 1. The Science of Music in Islam 8. Institute for the History of Arabic-Islamic Science.
Neubauer, Eckhard. 1998. Arabische Musiktheorie von den Anfängen bis zum 6./12. Jahrhundert: Studien, Übersetzungen und Texte in Faksimile. The Science of Music in Islam 3. Institute for the History of Arabic-Islamic Science.
Huffman, Carl A. 2005. Archytas of Tarentum: Pythagorean, Philosopher and Mathematician King. Cambridge University Press.
Mathiesen, Thomas J. 1983. “Aristides Quintilianus and the ‘Harmonics’ of Manuel Bryennius: A Study in Byzantine Music Theory.” Journal of Music Theory 27 (1): 31. https://doi.org/10.2307/843559.
Aristoxenus. 1954. Aristoxeni Elementa harmonica. Edited by Rosetta Da Rios. Scriptores Graeci et Latini consilio Academiae Lynceorum editi. Typis Publicae Officinae Polygraphicae.
Aristoxenus of Tarentum and the Birth of Musicology. 2012. Studies in Classics. Routledge.
Leech-Wilkinson, Daniel. 1991. “Ars Antiqua-Ars Nova-Ars Subtillor.” In Antiquity and the Middle Ages: From Ancient Greece to the 15. Century, 1. North American ed, edited by James W. McKinnon. Music and Society. Prentice Hall.
Franco of Cologne. 1950. “Ars Cantus Mensurabilis.” In Source Readings in Music History, edited by Oliver Strunk. W.W. Norton & Company.
Franco of Cologne, and Jean-Philippe Navarre. 1997. Ars cantus mensurabilis: XIIIème siècle. Éditions du Cerf.
Philippe de Vitry. 1964. Ars nova. Edited by Gilbert Reaney, André Gilles, and Jean Maillard. Corpus Scriptorum de Musica. American Institute of Musicology.
Rothfarb, Lee Allen. 2009. August Halm: A Critical and Creative Life in Music. Eastman Studies in Music. University of Rochester Press.
Ochoa Gautier, Ana María. 2014. Aurality: Listening and Knowledge in Nineteenth-Century Colombia. Sign, Storage, Transmission. Duke University Press.
Grant, Roger Mathew. 2014. Beating Time & Measuring Music in the Early Modern Era. Oxford Studies in Music Theory. Oxford University Press.
Morgan, Robert P. 2014. Becoming Heinrich Schenker: Music Theory and Ideology. Cambridge University Press.
Lester, Joel. 1989. Between Modes and Keys: German Theory; 1592 – 1802. Harmonologia Series 3. Pendragon Press.
Tan, Daphne. 2015. “Beyond Energetics: Gestalt Psychology in Ernst Kurth’s Musikpsychologie.” Theoria 22: 99–129.
Mutch, Caleb. 2015. “Blainville’s New Mode, or How the Plagal Cadence Came to Be Plagal.” Eighteenth Century Music 12 (1): 69–90. https://doi.org/10.1017/S1478570614000359.
Bower, Calvin. 1978. “Boethius and Nicornachus: An Essay Concerning the Sources of De Institutione Musica.” Vivarium 16 (1): 1–45. https://doi.org/10.1163/156853478X00012.
Chadwick, Henry. 1981. Boethius, the Consolations of Music, Logic, Theology, and Philosophy. Clarendon Press ; Oxford University Press.
Heilmann, Anja. 2007. Boethius’ Musiktheorie Und Das Quadrivium: Eine Einführung in Den Neuplatonischen Hintergrund von “De Institutione Musica.” Hypomnemata, Bd. 171. Vandenhoeck & Ruprecht.
Butler, Katherine. 2016. “Changing Attitudes Towards Classical Mythology and Their Impact on Notions of the Powers of Music in Early Modern England.” Music & Letters 97 (1): 42–60. https://www.jstor.org/stable/44163466.
Brothers, Thomas David. 2009. Chromatic Beauty in the Late Medieval Chanson. Cambridge University Press.
Macrobius, Ambrosius Aurelius Theodosius. 1952. Commentary on the Dream of Scipio. Translated by William Harris Stahl. Records of Civilization: Sources and Studies 48. Columbia University Press.
Descartes. 1986. “Compendium Musicae.” In Oeuvres de Descartes, edited by Charles Adam and Paul Tannery, vol. 10. J. Vrin.
Descartes. 1961. Compendium of Music. Translated by Robert Walter. American Institute of Musicology.
Zazulia, Emily. 2018. “Composing in Theory: Busnoys, Tinctoris, and the L’homme Armé Tradition.” Journal of the American Musicological Society 71 (1): 1–73. https://doi.org/10.1525/jams.2018.71.1.1.
Hicks, Andrew. 2017. Composing the World: Harmony in the Medieval Platonic Cosmos. Oxford University Press. https://doi.org/10.1093/acprof:oso/9780190658205.001.0001.
Jackson, M. W. (2006). Harmonious triads: physicists, musicians, and instrument makers in nineteenth-century Germany. MIT Press.
Hui, A. (Ed.). (2013). The psychophysical ear: musical experiments, experimental sounds, 1840-1910. MIT Press.
Rehding, A. (2005). Rousseau, Rameau, and Enharmonic Furies in the French Enlightenment. Journal of Music Theory, 49(1), 141–180. https://doi.org/10.1215/00222909-2007-004
Macrobius, Ambrosius Aurelius Theodosius. (1952). Commentary on the Dream of Scipio (W. H. Stahl, Trans.). Columbia University Press.
Johannes de Muris. (2000). Jean de Murs, Écrits sur la musique: Textes en latin, traduction et commentaire (C. Meyer, Ed.). CNRS Éditions.
Johannes de Muris. (1992). Die Musica speculativa des Johannes de Muris: Kommentar zur Überlieferung und kritische Edition (C. Falkenroth, Ed.). Franz Steiner.
Johannes de Garlandia. (1978). Concerning Measured Music (S. H. Birnbaum, Trans.). Colorado College Music Press.
Johannes de Garlandia. (1967). De mensurabili musica (E. Reimer, Ed.). Franz Steiner.
Johannes Afflighemensis [?], & Smits van Waesberghe, J. (1950). De musica cum Tonario. American Institute of Musicology.
Jerome of Moravia. (1935). Tractatus de musica (S. C. Cserba, Ed.). F. Pustet.
Jacques of Liège. (1950). Speculum musicae (excerpts). In O. Strunk (Ed.), Source Readings in Music History (pp. 269–278). W.W. Norton & Company.
Jacques of Liège. (1955). Jacobi Leodiensis Speculum musicae (R. Bragard, Ed.). American Institute of Musicology.
Isidore of Seville. (1911). Isidori Hispalensis episcopi Etymologiarum sive originum libri XX (W. M. Lindsay, Ed.). Clarendon Press.
Isidore of Seville. (1980). Etymologies, Book III, Chapters 15–23 (H. D. Goode & G. C. Drake, Trans.). Colorado College Music Press.
Huffman, C. A. (2005). Archytas of Tarentum: Pythagorean, Philosopher and Mathematician King. Cambridge University Press.
Hucbald of St. Amand. (1996). L’œuvre musicale d’Hucbald de Saint-Amand: Les compositions et le traité de musique (Y. Chartier, Ed.). Bellarmin.
Hucbald of St. Amand. (1978). De harmonica institutione (W. Babb, Trans.). In C. V. Palisca (Ed.), Hucbald, Guido, and John on Music: Three Medieval Treatises. Yale University Press.
Guido of Arezzo. (1978). Micrologus (W. Babb & C. V. Palisca, Trans.). In Hucbald, Guido, and John on Music: Three Medieval Treatises (Vol. 3). Yale University Press.
Glareanus. (1965). Dodecachordon (C. Miller, Trans.). American Institute of Musicology.
Gerbert, M. (Ed.). (1784). Scriptores ecclesiastici de musica.
Gaffurius. (1993). Theorica musicae (C. V. Palisca, Ed.; W. K. Kreyszig, Trans.). Yale University Press.
Franco of Cologne. (1950). Ars cantus mensurabilis. In O. Strunk (Ed.), Source Readings in Music History (pp. 227–245). W.W. Norton & Company.
Descartes. (1986). Compendium musicae. In C. Adam & P. Tannery (Eds.), Oeuvres de Descartes (Vol. 10). J. Vrin.
Descartes. (1961). Compendium of Music (R. Walter, Trans.). American Institute of Musicology.
Decartes. (1987). Abrégé de musique (F. de Buzon & F. de Buzon, Eds.). Presses Universitaires de France.
de Murino, A. (1864). Tractatus cantus mensurabilis. (Vol. 3). Durand.
Corwin, L. (2008). “Le istitutioni harmoniche” of Gioseffo Zarlino, Part 1: A translation with introduction [PhD]. City University of New York.
Cassiodorus. (1946). An Introduction to Divine and Human Readings by Cassiodorus Senator (L. W. Jones, Ed.). Columbia University Press.
Boethius. (1989). Ancius Manlius Severinus Boethius. Fundamentals of Music. (C. Bower, Ed.). Yale University Press.
Boethius. (1967). De musica: Anicii Manlii Torquati Severini Boetii de institutione arithmetica libri duo; De institutione musica libri quinque (G. Friedlein, Ed.). Teubner.
Bernhard, M., & Bower, C. (1993). Glossa maior in Institutione musicam Boethii. Bayerische Akademie der Wissenschaften.
Barker, A. (1989). Greek Musical Writings II: Harmonic and Acoustic Theory. Cambridge University Press.
Barbera, A. (Ed.). (1991). Sectio canonis. The Euclidean Division of the Canon: Greek and Latin Sources. University of Nebraska Press.
Aurelian of Réôme, & Gushee, L. (1975). Musica disciplina. American Institute of Musicology.
Aurelian of Réôme. (1968). The Discipline of Music / Musica disciplina (J. Ponte, Trans.). Colorado College Music Press.
Aristoxenus. (1954). Aristoxeni Elementa harmonica (R. Da Rios, Ed.). Typis Publicae Officinae Polygraphicae.
Anonymous, Enchiriadis, & Schmid, H. (1981). Musica et Scolica Enchiriadis. Bayerische Akademie der Wissenschaften.
Anonymous, Enchiriadis, & Erickson, R. (1995). Musica Enchiriadis and Scolica Enchiriadis. Yale University Press.
Anonymous of St. Emmeram. (1990). De musica mensurara: the Anonymous of St. Emmeram, complete critical edition, translation, and commentary (J. Yudkin, Ed.; Yudkin, Jeremy, Trans.). Indiana University Press.
Anonymous 4, & Reckow, F. (1967). Die Musiktraktate des Anonymous 4. Franz Steiner.
Anonymous 4. (1985). The Music Treatise of Anonymous IV: A New Translation (J. Yudkin, Trans.). American Institute of Musicology.
Whittaker, A. (2016). Musical Exemplarity in the Notational Treatises of Johannes Tinctoris (c. 1435-1511) [PhD dissertation]. Royal Birmingham Conservatoire.
van Tour, P. M. (n.d.). Counterpoint and Partimento: Methods of Teaching Composition in Late Eighteenth-Century Naples [PhD dissertation]. Uppsala University.